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Under Covers by Mighty Oak
“What do people do behind closed doors, tucked in bed, after the lights go out? Who are we when we think nobody’s looking? These questions have been quietly floating around in my brain for a long time, and now the secret is out,” said director, Michaela Olsen of her the unique new short coming out of Mighty Oak Studios, “Under Covers.”
AT&T “Train” Ad by HouseSpecial Studios
A good old-fashioned train wreck can be just the thing to switch from live action into animation--in this case a charming stop motion look at what it’s like from the poor train’s POV.
My Octopus Mind’s “Welder” music video by Roos Mattaar
When Roos Mattaar first listened to experimental rock band My Octopus Mind’s latest single, Welder, she instantly fell for the energy. “I imagined a crazy manic metal worker,” she told us, “engrossed in
Herpy and Bobo in Spaghetti Love by Andy Biddle
In an ever more serious world, one should not underestimate the value of getting to watch a woman shove spaghetti at her face with complete abandon.
Lee Ann Womack’s “Hollywood” music video by Chris Ullens
Belgian director Chris Ullens knew what he wanted to do early on once he was asked to direct country music star Lee Ann Womack’s new hit, “Hollywood.” Rear-projected and with the look of
Giangrande’s “Free to Roam” Music Video by Gianluca Maruotti
Italian director and animator Gianluca Maruotti delivers quirky, fabled characters to the stop-motion video for the track “Free to Roam” from Massimo Giangrande’s new album “Beauty at Closing Time.”
La Yegros’ “Tenemos Voz” by Juan Manuel Costa
Now living in France, La Yegros published her third album this year: “Suelta” containing “Tenemos Voz” (We Have A Voice), a song about the place of women in modern society. The music video by Argentinian director Juan Manuel Costa shows the vibrant process of a the painting of a mural that tells the story of the strong woman in the song.
Netflix’s “Rilakkuma and Kaoru” by Dwarf Studio
This supercute (yes, all one word in this case) new streaming series on Netflix premiered April 19th, and brings screen-life to one of Japanese stationery company, San-X's, most beloved characters.